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»Q&A with LTJ Bukem
Most people think drum n bass is all about pretending to be a robot and living in Bladerunner. Others think it's about dreading your hair and adopting a Jamaican accent.

 

And then there are others, like Danny Williamson aka LTJ Bukem, who subscribed to none of the above. The trained pianist, whose music is often tagged 'intelligent drum n bass', metes out a blend of music that owes as much to jazz and gospel as the dark sounds of early jungle.

 

As a precocious teenager, Bukem spent his time shopping for records and checking out the Watford soul and rare groove clubs. From there, his interest in the music and DJing grew until he found himself rocking 10,000 people at 1990's Raindance festival.

 

Since then, he has released the seminal cross-genre dnb track 'Logical Progression', set up the Good Looking Organisation, his record label, and fundamentally changed the sound of drum n bass.

 

He couldn't do an interview with us when he and MC Conrad were in KL in December 2002, but he obliged us with this e-mail Q&A from London, which is a testament to his professionalism and passion for the work.

 

Read on...

Tell us about your name. Why LTJ Bukem?
LTJ: Bukem is from the Hawaii 5-O television series where a policemen says “Bukem Dano” when arresting someone. LTJ means nothing, it was just a suggestion from a friend in 89’ and it stuck……..

Tell us about ‘intelligent’ drum n bass and how it differs from other forms of drum n bass (with ref to Goldie and Andy C).
LTJ: I don’t know what ‘intelligent’ drum n bass is. What does this say about other people’s music?

You have previously noted jazz, rare groove and soul to be inspiring. Do you think it would help drum n bass fans broaden their horizons by listening to forms of music you find inspiring?

LTJ: Listening to any kind of music from anywhere inspires anyone who is into music to make music, not one thing but everything………


Some have even found your music to exude a cinematic feel. What do you think of that? And do you have an all-time favourite movie?
LTJ: I do think the music I like so much can be put to pictures, it definitely creates soundscapes so to speak, but then it depends on the animation, in that sense any piece of music can fit picture, it totally depends on the person fusing the 2 together and their vision.

 

I have so many favourites when it comes to films and film music.

Superfly has to be up there in the top 5. Curtis Mayfield makes the film with his musical interpretation.

How necessary are genre’s?
LTJ: They're not, apart from slight breaking down of styles so a man knows what he is telling another about a piece of music, but D&B is D&B, why have different styles of one style, it only confuses and confines people’s attitudes, and therefore closes minds

Commercialism. How do you feel it affects the industry?
LTJ: As long as it doesn’t change the original reason for it going commercial, which in most cases it does.

 

It seems as though whenever something goes commercial, in some cases the artists creativity gets controlled, instead of expressed.

After a sell out night at Phuture, Singapore and relatively large response here in Kuala Lumpur recently, what is your opinion on drum n bass in Asia?
LTJ: When can we come back please.

A lot of healthy free spirited people.

Terrorism. What is its effect on you and your work, if any?
LTJ: I think it’s obviously affected everyone world-wide as the economic results have shown us.

 

Lets hope we don’t actually go to war, then a lot of us will be worrying about a lot more, not just work……

Travelling nightmares. Tell us about a particularly memorable occurrence.

LTJ: Traveling is a nightmare full stop. Trying to do 11 gigs in as many days is never easy, so when you have numerous delays, connection failures, touring can actually become near impossible, and I’ve been in those situations plenty of times……Not getting to a gig is the worst thing.
 


-Kathia Dec 2002

-Much thanks to LTJ and Ashwin!

-Pictures courtesy of GLO website

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