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ťA Glimpse Of Things To Come?
The promoters behind the Techcircuit party at Atmosphere, Futurejazz.FM, have been around for awhile now, a fact that remains unknown to many of the clubbers who throng the dancefloors today.

 

Some however, may have come across records with Futurejazz.FM stickers pasted to the front and back. Read on to find out more about the oldest new kids on the block and why they could give the scene some much-needed vitality.

 

Futurejazz.FM's manager, Poh, explains the origins and concept behind the outfit: "We must say it's the music which got us all together in this. We used to meet up a couple of times weekly, all for exchanging and playing each other music that we bought.

 

"From there, we decided to start the site not only for our leisure but also to introduce and share our music with others who have the same interest or are interested to explore more musical styles.

 

"Thenother reason which drove us to form Futurejazz is because we don't get to hear our style of music on radio stations in the country.

 

"So instead of waiting for the radio to change, we decide to start our very little radio online...

 

"It started with strictly jazzy house, nu jazz, trip hop, breakbeats, downtempo tunes and now we expand to include techno, tribal and other forms of dance genres."

 

Does that mean we can expect nu jazz types like Koop, Kyoto Jazz Massive or Nuspirit Helsinki in our clubs soon?

 

"There's been a few enquiries on our side, we have access to these acts but the problem is that its pretty hard to convince and introduce sponsors here to the above acts as they are interested in everything commercial and trendy. So only top 100 acts/DJs tend to be sponsored.

 

There's improvement lately in terms of knowledge, Donovan have done a great job on RED104.9 FM by playing and introducing track after track of gems. With everyone playing their part in promoting good music, we are sure that in time, the people here can accept this music and sound. We promise we will deliver some interesting acts to this country to share some good vibes with us," Poh explains.

 

How would one get into the sometimes intimidating world of jazz then, especially coming from a completely different musical background like dance music?

 

"Just follow your heart. Music listening or appreciation means different things to different people. For instance, you find a certain sound or style you like, go ahead and explore or learn more about the sound, where and how originated... from there you will naturally be taken back and expose yourself to some old music and other styles.

"Lots of people in the younger generation got into jazz by first hearing it on some mix that they possess. It could be techno, house, drum n bass or breaks with a Charlie Parker sax hook.

 

"With this, the listener may want to know more by checking out on Charlie Parker and his works... that would naturally make you investigate the music and progress." he says.

 

Although Futurejazz has kept a low profile over the years, they are not a bunch of inexperienced greenhorns. Poh used to run an outfit called Form Records, which he described as "one of the first companies in Asia to distribute and explore the different styles of dance genres".

 

Through Form, he was exposed to a broad variety of electronic music genres and eventually, he tried to bring some of these acts to KL... resulting in an impressive list of acts that might be puzzling to a generation bred on Sasha, Digweed and PvD.

 

"We brought in (hard techno act on the React label) Mrs Wood and Blu Peter for a React tour hosted by Silhouette KL, DJ Food (actually Ninjatune/Coldcut's cut-up beats and breaks duo, J. Moore and M. Black), and (notorious NYC trance artist)DJ Keoki, who played at the Arena, between 1996 to 1998.

 

These guest visits prompted Futurejazz to put on a series of quarterly gigs called Transform at the Backroom featuring locals and guests from Singapore. Since then, Poh admits, they have been "hibernating".

 

However, Poh says Futurejazz has "awakened" and Techcircuit is just the first of their future projects:

 

"Our objective is to get Futurejazz.fm broadcasting live in the future...in order to achieve that we have a few concrete plans on the move, Techcircuit is one of them... we are excited about it.."

 

 

Futurejazz's resident DJ, Maverick, brings his experience in the mix, with 17 years behind the decks under this belt. Unlike most old-timers, however, he embraces the digital revolution by using the D-Vinyl 2020 system produced by Soundgraph Inc, a South Korean company. The D-Vinyl works like Stanton's Final Scratch, using specially-encoded 12" vinyls to play back MP3s. It also comes with an additional hardware controller that allows you to control the MP3s like you would on a rack-mounted CDJ. Here's an email Q&A we did with him.
 

What are the advantages of using D-Vinyl?
You can have thousands of song load in your pc & play it on turntables,
it is frustrating when you are playin' in a gig and forgot or never bring
enough records. Don't have to carry those heavy record boxes. You can record your set straight to the pc by usin' d-vinyl at the end of the night in any gigs, there you have it live set or a demo.
 


What do you think of music piracy? Do you think technologies like D-vinyl encourages DJs to stop buying 12" ?
Obviously music piracy is bad, D-vinyl doesn't encourage DJs to stop
buyin' records... that is basically is up to the individual. Technology is just a tool to help DJs do their job faster and easier... for example, if I like a song very much definitely it'll be in my (12") collection.

 

What was the club scene like when you were starting out? How different was it compared to today?
Back in the day, DJs are the "main" guy, 'coz back then music genres were more limited so it was easier to please the crowd... nowadays DJ equipment is far more advanced, so I guess it has it's advantages and disadvantages, back then and now.
 

How do you think the KL club scene can be improved?
Same old story but different day... KL needs more professional club
owners (ie. believers in dance), and more professional DJ promoters.

 

What motivated you to start DJing?
Mixing 2 songs together.
 

Describe your sound?
Noise, loops and uplifting beats

What do you think makes a good DJ?
"Dedication" as in towards working attitude, "Dedication" as in mixing
skill, "Dedication" as in explore new sounds. Dedication and more
dedication.
 

 


-joon, march 13 2003

-thanks to all at Futurejazz


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