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» Kreidler is also the brand of a German scooter that was discontinued in '83
» Kreidler began as a side project for sometime member Stefan Schneider, who plays bass for To Rococo Rot
» Kreidler loves KL but doesn't feel the same about Dusseldorf.
 
»Conversation with Kreidler 's Andreas Reihse
Nov 14 2003

 

German group Kreidler have been likened to everyone from Tortoise to Can. They paid a rare visit to Malaysia as part of the Goethe Institute's ongoing cultural exchange program. At the end of their performance at University Malaya, Transmit braved the crowd to have a brief conversation with one-third of the trio, the affable Andreas Reihse.

Is this your first trip to this part of the world?
 

Andreas: Yes, but Thomas and I have been to Japan on another project and
Detlef has been to Korea because he studied art. He was an exchange student. We've been to Seoul and Tokyo but never before to South-East Asia. We played together with Klaus Dinger. You may know him. He plays with Neu! and La Düsseldorf and also with Kraftwerk. We collaborated on a few records and live shows.


You're speaking at a seminar in Singapore: 'Trends in Electronic
Music'. What will you talk about?

 

Andreas: It's a very broad subject. I think we will be telling more about the attitude of certain people and not so much about musical styles. I think I will focus on a few things, for example Mouse on Mars, Thomas Brinkmann and Chicks on Speed, what they do. Telling about the attitude they have towards music and their style, not so much about say. Psychedelic drum n bass! Or. [laughs]

 

 

What do you think of mainstream electronic music, for instance,
trance, and DJs or producers like Paul van Dyk?

 

Andreas: [laughs] Oh, I don't know much about him! Of course I've seen WestBam, Sven Väth and even Marusha DJing and I've been to plenty of raves. Trance is a bit boring for me but I have no moral opinion of it.  I don't like it so much but I like certain elements. For example if 'Modernists' use trance elements and when I do some techno stuff on my own as 'April' (Andreas' solo production moniker), I like it if it goes 'doof-doof-doof' at 135 bpm and sometimes it is maybe close to trance but not mainstream trance. Just using the energy or maybe a flanger sound or something. I have no bad feelings for them, it doesn't destroy a scene, it's a completely different scene.

 

 

What sort of music do you think has the strongest influence on
the music you create?


Andreas: Bach! Johann Sebastian Bach! [laughs] I don't know, I can't say. It's difficult. Years ago when I played keyboards in another group, I was always asked 'Who is your favourite keyboard player?' and they expected something like Keith Emerson of Emerson, Lake and Palmer (prog rock supergroup) or Alan Parsons (Alan Parsons Project) [laughs]. And I always said, it's Neil Tennant of the Pet Shop Boys who influenced my keyboard melodies! [laughs]. You could say it's literature, birds singing, trees, nature, friends or a city like Kuala Lumpur. I don't know how I create melodies, I can't tell you. It's in me. I love a lot of different things and in a way they influence me. I can't say. Kraftwerk or something!
 


 

 

People lump you into the krautrock or post-rock brigade and you consider comparisons to either less than appropriate. How do you
distinguish yourselves from these styles?


Andreas: It's really difficult. For example I also spin records and it's really rare that I play with Kreidler. Sometimes I take an old record of ours and I spin it and it's always difficult to find the next record because there's not much which fits with our record. It's really difficult to find a record which fits after Kreidler. So in a way we are very focused on ourselves.


As a group, do you put a lot of thought into making your music?

Andreas: Not at the beginning. It's afterwards, like (considering) variations or remixing ourselves. We're not like jazz musicians, improvising. It's more like, we know our limitations and we move inside these limitations. We always have a three or four minute idea in our heads and we try and to fill it somehow. Afterwards when we have something finished it's always a hard struggle because we have different opinions. Afterwards, we always have the concept for the record but not at the beginning. We have an idea and we say the next album is going to be more minimal or dancefloor but in the end we surprise ourselves.

 

What do you try to achieve when you create your music?

Andreas: To make people move, to make them happy. Once a guy in Vienna, Austria came to me and said that the song 'Reflections' (early Kriedler track) saved his life. He was at a dead-end and thought about suicide. He heard this song and it completely changed his life. He quit his job. He (broke up with) his girlfriend, left his family and moved to another
city. Wow! It was the first time I heard this.

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